The design is an accommodation, mean or harmony, between several motives mentioned in the first part. The Horned Goat of Mendes, with wings like those of a bat, is standing on an altar. At the pit of the stomach there is the sign of Mercury. The right hand is upraised and extended, being the reverse of that benediction which is given by the Hierophant in the fifth card. In the left hand there is a great flaming torch, inverted towards the earth. A reversed pentagram is on the forehead. There is a ring in front of the altar, from which two chains are carried to the necks of two figures, male and female. These are analogous with those of the fifth card, as if Adam and Eve after the Fall. Hereof is the chain and fatality of the material life.

The figures are tailed, to signify the animal nature, but there is human intelligence in the faces, and he who is exalted above them is not to be their master for ever. Even now, he is also a bondsman, sustained by the evil that is in him and blind to the liberty of service. With more than his usual derision for the arts which he pretended to respect and interpret as a master therein, ?liphas L?vi affirms that the Baphometic figure is occult science and magic. Another commentator says that in the Divine world it signifies predestination, but there is no correspondence in that world with the things which below are of the brute. What it does signify is the Dweller on the Threshold without the Mystical Garden when those are driven forth therefrom who have eaten the forbidden fruit. ~ A.E. Waite

Possession

Listen as the wind blows from across the great divide
voices trapped in yearning, memories trapped in time
the night is my companion, and solitude my guide
would I spend forever here and not be satisfied?

And I would be the one
to hold you down
kiss you so hard
I'll take your breath away
and after, I'd wipe away the tears
just close your eyes dear

Through this world I've stumbled
so many times betrayed
trying to find an honest word to find
the truth enslaved
oh you speak to me in riddles
and you speak to me in rhymes
my body aches to breathe your breath
your words keep me alive

And I would be the one
to hold you down
kiss you so hard
I'll take your breath away
and after, I'd wipe away the tears
just close your eyes dear

Into this night I wander
it's morning that I dread
another day of knowing of
the path I fear to tread
oh into the sea of waking dreams
I follow without pride
nothing stands between us here
and I won't be denied

and I would be the one
to hold you down
kiss you so hard
I'll take your breath away
and after, I'd wipe away the tears
just close your eyes...

~Sarah MacLachlan

Traits of vampires Vampires, being already dead, do not need most normal things required for human life, such as oxygen. They often have a pale (for vampires from literature and cinema) or ruddy (for those from folklore) appearance, and are cool to the touch from the perspective of humans. Vampires are sometimes considered to be shape-shifters, though this feature is more commonly present in fiction than in the original folklore. Some vampires can fly. Sometimes this power is supernatural, other times it is connected to the vampire's ability to turn into flying creatures (e.g., bats, owls, flies) or into lightweight forms (e.g. straw, dust, smoke) and then create winds as a means of propulsion. Vampires typically cast no shadow and have no reflection. This mythical power is largely confined to European vampiric myths and may be tied to folklore regarding the vampire's lack of a soul. In modern fiction, this may extend to the idea that vampires cannot be photographed. Some tradititions hold that a vampire cannot enter a house unless he or she is invited in. This concept has been referenced throughout the history of vampire fiction (from Samuel Taylor Coleridge's poem Christabel, through Bram Stoker's novel Dracula to Stephen King's novel Salem's Lot, and even Buffy the Vampire Slayer). Generally, however, a vampire can come and go at will after being invited once. Vampire powers are often limited during the day or in daylight. In some cases sunlight may burn or kill vampires, or they may be comatose during the day. Vampires may be reluctant to enter or cross bodies of water, particularly running water. Some tales maintain that vampires must return to their native soil before sunrise to take their rest safely. Others place native soil in their coffins, especially if they have relocated. Still other vampire stories such as Le Fanu's "Carmilla" maintain that vampires must return to their coffins, but sleep in several inches of blood as opposed to soil. Vampires in some tales have very specific dietary requirements while others do not. However, most tales of the undead feature vampires that cannot eat (or at least cannot gain nourishment from) normal human food. In most cases they sustain themselves by sucking living people's blood or life force ; this seems to be a requirement for their continued existence regardless of whether they are able to absorb other food and drink, or gain anything from such. Werewolves are sometimes held to become vampires after death, and vampires are frequently held to have the ability to transform themselves into wolves. Apotropaics, or objects intended to ward off vampires, include garlic, a branch of wild rose, and all things sacred (e.g., holy water, a crucifix, a rosary, or sacred objects from other faiths). This weakness on the part of the vampire varies depending on the tale. Garlic is confined mostly to European vampire legends. In myths of other regions, other plants of holy or mythical properties sometimes have similar effects. Holy water and other holy symbols depend upon the culture. In Eastern vampiric myths, vampires are often similarly warded by holy devices such as Shintō seals. There are three main ways to destroy a typical European vampire: a consecrated bullet, a wooden stake through the heart where two roads meet, or decapitation. This includes other means of death that effectively removes a vampire's head, such as incinerating the body completely. Old folklore from Eastern Europe suggests that many vampires suffered from a form of Obsessive Compulsive Disorder, being fascinated with counting. Millet or poppy seeds were placed on the ground at the gravesite of a presumed vampire, in order to keep the vampire occupied all night counting. Chinese myths about vampires also state that if a vampire comes across a sack of rice, s/he will have to count all of the grains. Aside from the Muppet character of Count von Count on television's Sesame Street and a fifth season episode of the X-Files titled Bad Blood, this characteristic seems to have largely disappeared from popular culture. Source: Wikipedia